Abhik Mukherjee is a young promising sitar player of the Etawah gharana. He received his training he received his musical training from Pandit Arvind Parikh and Pandit Kashinath Mukherjee, both of whom are the disciples of the legendary Ustad Vilayat Khan.
Arun Ramamurthy is an exciting, young violinist who excels in several genres of music. Arun is equally at home whether he is playing a chaste Thodi raga in a temple concert before knowledgeable Carnatic music lovers, or at a trendy concert in midtown Manhattan trading solos with jazz guitarists. Arun was able to attain this versatility because of the solid grounding he received in Carnatic music, one of the most ancient and highly intricate forms of classical music.
Dan Weiss has been hailed as one of the top five jazz drummers in The New York Times, and his large ensemble recording “Fourteen” made the top ten list of their best recordings of 2014. Weiss’s innovative drumming and forward thinking compositions have been pushing musical limits for years. He has been studying tabla under his guru Pandit Samir Chatterjee for twenty years. He currently lives in Brooklyn where he continues to perform, tour, teach while continuing his study of tabla, Hindustani vocal, and classical piano.
Basir Khan is a highly acclaimed musician. Coming from Jaipur, Rajasthan he has accompanied some of the stalwarts of Indian music. Also acclaimed as a vocalist, his technique on harmonium and Bulbul Tarang is awe-inspiring. He will instruct his students how to accompany while singing bhajan, kirtans, ghazals, film songs and other types of singing, as well as classical accompaniment.
Dibyarka Chatterjee is a young and promising Tabla player from the Farrukhabad Gharana. His natural inclination towards music became evident shortly after his birth, and at the age of five he was initiated by his father Pandit Samir Chatterjee. Since then he has been going through the rigorous discipline of lessons and practice according to the ancient guru-shishya parampara (master-disciple tradition). He has been blessed with many performance opportunities from Pt. Jasraj, Pt. Buddhadeb Das Gupta, Ustad Shujat Khan, Ustad Mashqoor Ali Khan, Sri Moti Joya Biswas and several other prominent musicians.
Jay Gandhi is a talented young Indian flautist. He started by learning vocal music from Smt. Kumkum Sanyal. Later on he studied Bansuri from Pt. Vijay Raghav Rao, Pt. Raghunath Seth and Pt. Hariprasad Chaurasia.
Malini Srinivasan is a third-generation Bharatanatyam artist and the disciple of world-renowned artist Sri C.V. Chandrasekhar. She is s critically-acclaimed soloist and choreographer. Malini has presented solo Bharatanatyam to various audiences in the U.S., India and Europe.
Maya Misra has studied the Kathak dance style under the late Pandit Ramgopal Misra, a great exponent of Kathak from the Jaipur Gharana (school). She has a Bachelors in Philosophy from the Scottish Church College of Kolkata. After the demise of Ramgopal Misraji, Mayaji continued her Kathak training from another well known Kathak virtuoso, Pandit Vijay Shankar. She has refined her skill and undergone further training in expressive and interpretive aspects of Kathak from the lengendary Kathak masters Pandit Birju Maharaj, Saswati Sen, Sitara Devi, Pandit Om Prakash Maharaj and Dr. Malavika Mitra. Mayaji has a Nritya Praveen in Kathak dance.
An outstanding Kathak performer, choreographer and teacher, Maya Misra choreographed and performed several well-received ballets in Kolkata, notably "Mathura Gavan", Draupadi Cheer Haran", and Bharat Milap". Mayaji, the wife of the great sarangi maestro Pandit Ramesh Misra, teaches both the young and advanced Kathak dancers and has trained many Kathak dancers in Kolkata and New York.
Beginning to advanced classes are available in Manhattan and Queens. In addition to Kathak dance, Mayaji also offers classes in Indian Tal and Rhythm for musicians, vocalists, dancers, accompanists and Western musicians. This is an area in which performing Kathak dancers are highly trained in both tabla literature, recitation, theory and performance. It is valuable training for anyone who wants to learn the rhythms of India. Contact.
Rohan Misra is a promising young musician, specializing in the unique Indian bowed instrument called the Sarangi (translation: An instrument with a hundred colors). As the son and disciple of great Sarangi virtuoso Pandit Ramesh Misra, Rohan has inherited many of his father-Guru’s specialties, including tonal quality and aesthetic approach.
Rohan Started learning the Sarangi from his father at the age of six. His exposure to music since early childhood attracted him to learn other Indian instruments as well. He has been learning Tabla from the renowned maestro Samir Chatterjee. Rohan is also pursuing his education in western music, particularly focusing on the Piano and Clarinet. Coming out of the family of nine generations of Sarangi players, Rohan aspires to be successful as the 10th generation in his lineage. He also wishes to further his musicality by blending certain aspects of western music into his heritage of Indian classical music to emerge with a unique musical expression.
Rohan has performed at the Carnegie Hall, Columbia University, Massachusetts Institute of Technology, The Smithsonian Museum in Washington, D.C., California and North Carolina. He has performed with luminaries such as Pt. Birju Maharaj, Smt. Kumudini Lakhia, Pt. Anindo Chatterjee, Samir Chatterjee, among others. He is on the faculty of Chhandayan Center for Indian Music in New York City.
Samarth Nagarkar is and extremely promising Indian classical vocalist. He is known for his eclectic, captivating performances rendered within a traditionally rich approach towards raga exposition and gayaki. He is a disciple of Pt. Ulhas Kashalkar and Pt. Dinkar Kaikini. After graduating ITC Sangeet Research Academy, Kolkata, Samarth relocated himself to New York pursuing an active career as a leading performer, composer, teacher and author.
Samir Chatterjee is a virtuoso Tabla player of India. He travels widely across the world throughout the year performing in numerous festivals as a soloist or with other outstanding musicians from both Indian and western musical traditions. Samir performed at the Nobel Peace Prize ceremony in Oslo, Norway on December 10th, 2007. His compositions are widely acclaimed as well as his writings. He has authored 'A Study of Tabla' and 'Music of India' and has published over 60 albums.
Sanghamitra Chatterjee is one of the leading vocalists of India in the fields of light and light classical music. Gifted with a sweet and melodious voice Sanghamitra focuses on Adhunik (Bengali modern song), Rabindrasangeet (songs of Tagore), Nazrulgeet (songs of Nazrul), songs of Atul Prasad Sen, folk songs, Hindi Bhajans, film songs, Geet, Ghazals, etc. She had her lessons in classical music from Pt. Usharanjan Mukherjee, Jatileshwar Mukherjee, Nikhil Chatterjee, Ajoy Das and several other prominent musicians.
Sanjoy Banerjee has enthralled his audiences at home and abroad with his sonorous voice. Initiated into music by his own aunt Smt. Basanti Chatterjee, then Smt Manjulika Dasgupta and later by Sri Ramanuj Dasgupta, for advance training he went to Pt. Narayan Rao Joshi of Kirana Gharana. He furthered his studies under Late Pt. A. Kanan, a stalwart of Kirana Gharana and started learning intricacies of our classical music from him. In 1995 he joined the prestigious ITC Sangeet Research Academy and started learning from Vidushi Late Malabika Kanan as a scholar.
Steve Gorn has performed Indian Classical Music and new American Music on the bansuri bamboo flute in concerts and festivals throughout the world. His gurus are the late bansuri master Sri Gour Goswami, of Kolkata, and Pandit Raghunath Seth of Mumbai, who he has often accompanies in concert.
Tejas Tope is a promising young tabla player from New York. He has been learning tabla from pt. Samir Chatterjee for over 10 years. He has also atteneded many tabla and Indian music workshops. Tejas has received training in Pakhawaj from Pt. Mohan Shyam Sharma, Shri Pratap Awad, and Pt. Manik Munde. He has won several awards and prizes at music competitions. As his skill and experience have increased, he has been more in demand as a solo performer and accompanist.
Vinay is a young promising Santoor player. Having a musical background since his early teens, Vinay sought to learn Santoor after graduating from College. He received his initial training in Santoor from Takahiro Arai, an advanced disciple of the legendary Santoor player Pandit Shivkumar Sharma. In India, he learned under Pandit Shivkumar's guidance. His music is influenced by his stay in Ashrams and practices of ancient practices of meditation and Yoga. His music is both entertaining and is interwoven with the general feeling of peace and stillness.