Sarangi - Rohan Misra
Tabla - Dibyarka Chatterjee
Our facilities are wheelchair accessible.
Rohan Misra is a young promising musician, specialized in the unique Indian bowed instrument called the Sarangi. As the son and disciple of great Sarangi virtuoso Pandit Ramesh Misra, Rohan has inherited many of his father-Guru’s specialties, including tonal quality and aesthetic approach.
Rohan Started learning the Sarangi (translation: An instrument with a hundred colors) from his father at the age of six. His exposure to music since early childhood attracted him to learn other Indian instruments as well. He has been learning Tabla from the renowned maestro Samir Chatterjee. Rohan is also pursuing his education in western music, particularly focused on the Piano and Clarinet. Coming out of the family of nine generations of Sarangi players, Rohan aspires to be successful as the 10th generation in his lineage. He also wishes to further his musicality by blending certain aspects of western music into his emblem of Indian classical music and emerge with a unique musical expression.
Rohan has performed at the Carnegie Hall, Columbia University, Massachusetts Institute of Technology, The Smithsonian Museum in Washington, D.C., California and North Carolina. He has performed with luminaries such as Pt. Birju Maharaj, Smt. Kumudini Lakhia, Pt. Anindo Chatterjee, Samir Chatterjee, among others. He is on the faculty of Chhandayan Center for Indian Music in New York City.
Dibyarka Chatterjee is a young Tabla player from the Farrukhabad Gharana, and is the son and disciple of Pt. Samir Chatterjee. Having grown up in a musical environment, his natural inclination towards Tabla became apparent early in his childhood. At the age of five he was initiated by his father into the ancient system of pedagogy called the guru-shishya parampara (master-disciple tradition).
Dibyarka was born in Kolkata, where even in his childhood he was already performing in concerts as well as on Akaashbani Kolkata's Children's Section (National Radio - Kolkata Station). At the age of ten he moved to New York City with his family; since then he has continued to perform regularly with both Indian and Western music. Dibyarka has had the honor and privilege of performing with renowned musicians like Pandit Jasraj, Pdt. Budhhadev DasGupta, Pta. Lakshmi Shankar, Utd. Shujaat Khan, Pta. Joya Biswas, Utd. Mashkoor Ali Khan, Pdt. Ramesh Mishra, Pta. Shubhra Guha, Pta. Tripti Mukherjee, Pdt. Suman Ghosh to name only a few.
He has collaborated in world music projects with groups like the Dance Theater of Harlem (in 'South African Suite'), the Battery Dance Co. (in “Songs of Tagore”), and with fusion musician/composers like Salman Ahmad (Junoon), Douglas Cuomo, John McDowell (on the award-winning documentary “A Son’s Sacrifice”), Gary Lucas & Najma Akhtar (on their collaborative album "Rishte") etc. He has composed music for, and performed in, two off-Broadway theatrical productions (Nuraldeen's Lifetime & Lee/gendary). He has also performed in many prestigious venues like Carnegie Hall, the United Nations General Assembly, Lincoln Center & Asia Society in NYC, Place des Arts (Montreal), the Google Amphitheater (Palo Alto), Salt Lake Music Conference (Kolkata, India), Pratishruti Festival (Bhopal, India) etc. He has also appeared on numerous radio shows such as The Leonard Lopate Show and New Sounds on NPR, Raag Aur Taal on WKCR etc.
Dibyarka has a Masters in Fine Arts from Goddard College (VT). His academic pursuits are mainly focused on the history, theory, and philosophy of Indian Music. As a guest lecturer, Dibyarka has conducted classes and lecture demonstrations at numerous institutions such as Columbia University, Dartmouth College, New York University, Manhattan School of Music etc. He also teaches Tabla classes regularly at various institutions and locations in NY & NJ.